The Helen E. Hagan Project

Exceptional composer, pianist, and New Haven resident Helen Eugenia Hagan premiered her stirring Piano Concerto with your Symphony in 1912. In that same year, she became the first Black woman to graduate from Yale when she received a degree from the Yale School of Music. We celebrate Helen’s legacy by supporting the blossoming careers of underrepresented musicians, conductors, arts administrators, and board leaders through the Harmony Fellowship program. 

Your investment will help us elevate Helen’s legacy, further the careers of promising artists and arts leaders of color following in her footsteps, and inspire future generations.

Support the Churchwell Family Fund for Underrepresented Musicians

We are thrilled to announce the launch of the Churchwell Family Fund for Underrepresented Musicians, which will support a second Musician Fellowship through the Helen Hagan Project. These Fellowships provide incredible professional growth opportunities through performance, training, and mentorship. Since 2017, our Fellows have performed as paid members of your Symphony, playing onstage and presenting free educational programs in New Haven Public Schools. The contributions of these talented musicians extend beyond the concert hall and into our community.

This fund was established by Drs. Keith and Leslie Churchwell – long-time Symphony supporters, arts patrons, and proud members of the New Haven Community. Your support of this new initiative will keep the Helen Hagan Project alive and thriving, offering transformative experiences for generations to come.

Success for The Helen E. Hagan Project!

Thanks to the generous support of NHSO’s Board and donors like you, three of our Harmony Fellowships have been fully funded thus far. In our 2021-2022 season, income from the Helen E. Hagan Fund for Underrepresented Musicians paid in full for a Fellowship awarded to cellist Axel Rojas Vallejos. In June of 2023, contributions were secured to fully endow the Fellowship for Underrepresented Conductors. Claire Lewis has been awarded this Fellowship for 2024 – 2026.

In Fall of 2023, NHSO announced a generous matching challenge of $50,000 from Rita Landino to launch a campaign to fund the Fellowship for Underrepresented Arts Administrators, and in our 2024-2025 season, we succeeded in fully funding that Fellowship.

For our next initiative, longtime supporters of the arts and proud members of the New Haven community, Drs. Keith and Leslie Churchwell have pledged a $20,000 matching gift to launch the Churchwell Family Fellowship Fund. This Fund is the newest chapter of the Helen E. Hagan Project, and it will help support a second, fully-funded Musician Fellowship in perpetuity.

Interested in learning more about how you can make a gift to this campaign? Please contact Development Director Charity Clark at (203) 865-0831, or at Donors@NewHavenSymphony.org

Helen E. Hagan (1891-1964)

1891

Helen Eugenia Hagan is born in Portsmouth, New Hampshire. Raised in New Haven, she is educated in the New Haven Public Schools. Helen’s first piano teacher is her mother, Mary Estella Neal Hagan.

1901

Serves as the organist at Dixwell Avenue Congregational United Church of Christ, New Haven (a 9 year-old prodigy).

1912

Performs as a soloist on her own Piano Concerto in C Minor on May 23, 1912 with the New Haven Symphony Orchestra conducted by Horatio Parker at Woolsey Hall. Hagan becomes the first known Black woman to play with the Symphony and to earn a degree from Yale University.

1914

Graduates from Schola Cantorum following two years of study with Vincent d’Indy supported by Yale’s Samuel Simons Sanford scholarship. Returns to the U.S. to begin a successful career as a concert pianist, paving the way for other women and performers of color as she achieves numerous firsts as a black woman.

1919

General John Pershing calls on Hagan to serve her country by entertaining Black troops in France following the Armistice that suspended combat operations of World War One. One of the only Black artists sent to France, she is dubbed “the Darling of the Doughboys.” She returns to the U.S. and continues her concert career a year later.

1921

Earns the distinction of being the first Black musician to perform a solo recital at Aeolian hall in New York City.

1931

Having run a successful private music studio for many years, Hagan becomes the first Black woman admitted to the Morristown Chamber of Commerce.

1935

Establishes and operates music studio in Harlem, New York City.

1940s – 50s

Continues performing late in life. Works as a choir director and organist in New York City.

1964

Dies in New York City and is buried beside her parents in New Haven, CT’s Evergreen Cemetery. Unmarked until 2016, a new gravestone dedicated by then Mayor Toni Harp reads: Helen Eugenia Hagan, 1891 – 1964, Composer – Pianist – Teacher.

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